Inside the Arthouse: BASTILLE DAY

French cinema has always invited us to look a little closer—not only at the world around us, but at ourselves.

This Bastille Day, we’re celebrating that tradition with a special selection of clips drawn from the INSIDE THE ARTHOUSE library of filmmaker conversations, featuring some of the most exciting voices in contemporary French cinema.

Rebecca Zlotowski explores family, identity, and the mysteries of memory in A PRIVATE LIFE.

François Ozon reimagines Albert Camus’ THE STRANGER for a new generation.

Louise Courvoisier brings warmth, humor, and authenticity to rural France in HOLY COW.

And Laura Piani reminds us that love, literature, and self-discovery are never far apart in JANE AUSTEN WRECKED MY LIFE.

Different in style and subject, these films share the same spirit: bold, intimate, and deeply human. Because great cinema doesn’t simply tell us stories—it changes the way we see the world.

Celebrate Bastille Day with INSIDE THE ARTHOUSE and revisit highlights from four of our conversations about the best in contemporary French cinema, starting now.

INSIDE THE ARTHOUSE: THE CURRENTS

INSIDE THE ARTHOUSE: THE CURRENTS

Greg Laemmle and Raphael Sbarge welcome director Milagros Mumenthaler to INSIDE THE ARTHOUSE to discuss her new film, THE CURRENTS

INSIDE THE ARTHOUSE: Marama

INSIDE THE ARTHOUSE: Marama

Greg Laemmle and Raphael Sbarge welcome director Taratoa Stappard to Inside the Arthouse to discuss the new film MARAMA

INSIDE THE ARTHOUSE: STEAL THIS STORY, PLEASE!

INSIDE THE ARTHOUSE: STEAL THIS STORY, PLEASE!

Media consolidation. It’s accelerating. Fewer owners. Fewer voices. Whether you're watching the so-called “Orbán playbook” unfold across Eastern Europe, or noticing that CNN and 60 Minutes could one day soon answer to the same boardroom, a new reality is...